20 -year -old Brockback Mountain: An important moment in Quir -Film
Brockback Mountain was more than just a movie when it came out in 2005; It was a moment. Hollywood was forced to meet his strange relationships between the decades of the cinematic conference of two men after Ang Lee’s delicate and tragic romance. The film, which was based on Annie Puulx’s short novel, was depicted in a more luxurious Jack Twist (Jake Glennhal) and an emotionally mastered Anis Del Gar (Heath Laser), while interacting on a secret, multi-diarrhea connection in rural view.
Brokeback Mountain, which is sometimes referred to as “The Gay Cowboy Movie”, was unusually recognized for an LGBT romance. Although he was an A-list actor, received positive reviews and won three Academy Awards, including best director for Ang Lee, it lost to CRAS to Best Picture, who is still one of the most controversial Oscar moments. Depending on oppression and internal conflict, the film’s raw performance, especially laser, provided laser, and controlled emotions the destructive and individual portrayal of love.
The balance of the movie – playing with Hollywood rules, while changing them obsessed – it was groundbreaking. It stated in a love story that Hollywood had ignored or incorrectly presented by using the famous styles Melodrama and Western. Its most important heroes follow for traditional masculine fundamentalists – coveboyce – understood both strategically and powerful by reviewers and Quir Film Academics. By using this strategy, the Brockback Mountain was able to join the audience who may not have seen a movie in love with two men.
However, the road was not easy for production. For almost eight years, author producer Diana Osana fought to make a film. Because they were worried about how a gay person would influence their career, A-List actors decided not to play Anis. Finally, Heath Laser joined the section, which changed the film and his career plan. Continuous discussion of representation and the actor’s morality who directly plays gay parts is triggered by the casting of actors who are considered heterosexual as Gilanhal.
A simple, acute sexual encounter in a tent, the most famous stage in the film, was brave for its time and often led the walkout in conservative theaters. But what is moving on – the year of desire, peace and emotional control – is what emphasizes it. A heart -destroying example of how social pressure and inner homophobia can affect personality is that he is the inability to end with his traditional life and express his love for Jack.
The Brokeback mountain still has a permanent effect after twenty years. Even when this conversation paves the way for later films such as Me Bay Your Name, Carol and Moonlight, Hollywood’s development has been uncertain. Many people say that TVs and theater continue the film better in the field, and queue stories are still struggling to represent stable mainstream.
The legacy of the film is still bittersweet, as it makes a comeback to theaters for the anniversary: ​​It acts as a twist in the understanding of love lost, the price of oppression and Hollywoods LGBT love.
